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2—Getting Around
38 www.rolandus.com Roland VS-2480 Owner’s Manual
6—SPLIT•COMP/EXP Button
• When editing phrases, press this button to split the selected phrase at the timeline.
• When editing regions, press this button to perform time compression or expansion
on the currently selected track region, or scaling of automated parameter values.
7—NEW•IMPORT•GRADATION Button
• When editing phrases, press this button to create a new phrase from a recorded
take on your hard drive.
• When editing regions, press this button to copy a recording from a different project
(Page 56) into the current project.
• When using Automix, press this to view the Gradation dialog (Page 337).
8—PHRASE•REGION•AUTOMIX Button
Press this button to select the type of editing you wish to do: phrase, region or Automix
editing. The color of the button—as shown in the key to its left—shows the currently
selected type of editing:
•
Green
—phrase editing •
Orange
—Automix editing
•
Red
—region editing
9—A. PUNCH Button
Press this button to activate (lit) or de-activate (unlit) Auto Punch. See Page 192.
10—IN Button
Press the IN button to set the current position of the timeline as the start of a region of
data you want to edit, or as the punch-in location when holding down A.PUNCH.
11—OUT Button
Press the OUT button to set the current position of the timeline as the end of a region of
data you want to edit, or as the punch-out location when holding down A.PUNCH.
12—FROM Button
Press FROM to select the current position of the timeline as a time-reference point in a
section of data to be moved or copied. When looping, press FROM while holding down
LOOP when the timeline’s at the location you want to use as the start of your loop.
13—TO Button
Press TO to select the current position of the timeline as a location at which you want
the FROM point to be placed when data is moved or copied. When looping, press TO
while holding down LOOP when the timeline’s at the location you want to use as the
end of your loop.
Timeline
IN, FROM, OUT and TO work together, playing a part in a variety of editing operations.
They’re discussed as a group in Chapter 18, on Page 236.
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