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Appendix
— Reference Guide Appendix– 9
GATE REVERB, REVERSE GATE
Early reflections with gate, and early reflections with reverse gate.
MONO DELAY
Basic repeat delay.
STEREO DELAY
Basic stereo delay.
Parameter Range Description
TYPE Type-A, Type-B Type of early reflection simulation
ROOMSIZE 0.1–20.0 Reflection spacing
LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)
INI.DLY 0.0–500.0 ms Initial delay before reverb begins
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
ER NUM. 1–19 Number of early reflections
FB.GAIN –99 to +99% Feedback gain
HI.RATIO 0.1–1.0 High-frequency feedback ratio
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
MIX BAL. 0–100 [%] Mix balance of the effects and dry sounds
Parameter Range Description
DELAY 0.0–2730.0 ms Delay time
FB.GAIN –99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values
for reverse-phase feedback)
HI.RATIO 0.1–1.0 High-frequency feedback ratio
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
MIX BAL. 0–100 [%] Mix balance of the effects and dry sounds
Parameter Range Description
DELAY L 0.0–1350.0 ms Left channel delay time
FB.G L –99 to +99%
Left channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
DELAY R 0.0–1350.0 ms Right channel delay time
FB.G R –99 to +99%
Right channel feedback (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
HI.RATIO 0.1–1.0 High-frequency feedback ratio
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
MIX BAL. 0–100 [%] Mix balance of the effects and dry sounds