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Appendix
— Reference Guide Appendix– 3
011 Syn.Bass 1
PEAKING PEAKING PEAKING H.SHELF Use on a synth bass with
emphasized low range.
Q 0.1 8 4.5
F 83Hz 944Hz 4.00kHz 12.6kHz
G +3.5dB +8.5dB 0.0dB 0.0dB
012 Syn.Bass 2
PEAKING PEAKING PEAKING H.SHELF Emphasizes the attack
that is peculiar to a synth
bass.
Q 1.6 8 2.2
F 125Hz 177Hz 1.12kHz 12.6kHz
G +2.5dB 0.0dB +1.5dB 0.0dB
013 Piano 1
L.SHELF PEAKING PEAKING H.SHELF This is used to make a
piano sound brighter.
Q 8 0.9
F 94Hz 944Hz 3.17kHz 7.55kHz
G –6.0dB 0.0dB +2.0dB +4.0dB
014 Piano 2
PEAKING PEAKING PEAKING H.SHELF Emphasize the attack and
low range of the piano
sound by using a
compressor.
Q 5.6 10 0.7
F 223Hz 595Hz 3.17kHz 5.33kHz
G +3.5dB –8.5dB +1.5dB +3.0dB
015 E.G.Clean
PEAKING PEAKING PEAKING H.SHELF Use for line-recording an
electric guitar or semi-
acoustic guitar to get a
slightly hard sound.
Q 0.18 10 6.3
F 265Hz 397Hz 1.33kHz 4.49kHz
G +2.0dB –5.5dB +0.5dB +2.5dB
016 E.G.Crunch 1
PEAKING PEAKING PEAKING PEAKING Adjusts the tonal quality of
a slightly distorted guitar
sound.
Q 8 4.5 0.63 9
F 140Hz 1.00kHz 1.88kHz 5.65kHz
G +4.5dB 0.0dB +4.0dB +2.0dB
017 E.G.Crunch 2
PEAKING PEAKING PEAKING H.SHELF This is a variation on
program 016.
Q 8 0.4 0.16
F 125Hz 445Hz 3.36kHz 19.0kHz
G +2.5dB +1.5dB +2.5dB 0.0dB
018 E.G.Distortion 1
L.SHELF PEAKING PEAKING H.SHELF Makes a heavily distorted
guitar sound clearer.
Q 910
F 354Hz 944Hz 3.36kHz 12.6kHz
G +5.0dB 0.0dB +3.5dB 0.0dB
019 E.G.Distortion 2
L.SHELF PEAKING PEAKING H.SHELF This is a variation on
program 018.
Q 10 4
F 315Hz 1.05kHz 4.23kHz 12.6kHz
G +6.0dB –8.5dB +4.5dB +4.0dB
020 A.G.Stroke 1
PEAKING PEAKING PEAKING H.SHELF Emphasizes the bright
tones of an acoustic
guitar.
Q 0.9 4.5 3.5
F 105Hz 1.00kHz 1.88kHz 5.33kHz
G –2.0dB 0.0dB +1.0dB +4.0dB
021 A.G.Stroke 2
L.SHELF PEAKING PEAKING H.SHELF This is a variation on
program 020. You can
also use it for the electric
gut guitar.
Q 9 4.5
F 297Hz 749Hz 2.00kHz 3.56kHz
G –3.5dB –2.0dB 0.0dB +2.0dB
No Name
Parameter
Description
LOW L-MID H-MID HIGH