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MPX G2 Program Descriptions
118 Fuzz 1
Analog fuzz.
119 Fuzz 2
A more aggressive variation of Fuzz 1.
Programs 120-139 each contain a single effect. Use them alone, or as building blocks to
create your own multi-effects programs from scratch. Use Copy Effect in Edit mode to
copy different combinations into a single program.
120 Univybe
Our recreation of a vintage Uni Vibe, a signature Hendrix sound.
121 Octave Fuzz
This program combines a sub octave with Octavia-style effects with analog distortion.
The sub octave comes in when A/B is toggled to B. Turn Gain on and off to control the
fuzz distortion. Effect 2 is the OctaBuzz. To get that Hendrix sound, turn off the sub octave
and play single notes above the 12th fret using your neck pickup. The MPX R1 Toe Switch
simultaneously turns the shifter, Octabuzz and distortion on and off. The pedal is a power
amp booster that provides an additional 6dB of volume to kick a solo out over the edge.
122 Phaser
A recreation of the classic Mu-tron Phaser
123 EnvFilter
A recreation of the Mu-tron autowah. Look out Bootsy!
124 C-Wah:
Our recreation of the classic Crybaby Wah. The MPX R1 pedal controls the wah sweep
while the MPX R1 Toe Switch turns the wah on and off like the original.
125 Blue Comp
A recreation of the Boss CS-2 Compressor — a staple of many country players.
126 Vintage Trem
A classic vintage tremolo.
127 IPS TapeSlap
Press A/B to select delays that simulate 7.5 or 15ips tape slaps. Modified to be used
before your amp’s input.
128 Space Echo
A simple but tasty delay effect. The sound changes with each repeat. For the sound of
the more expensive version, press Chorus, which is bypassed when the program loads.
129 Octabuzz
Another classic Octavia effect — best known from Purple Haze.
130 OrangePhase
A recreation of the Phase 90 effect made famous by Eddie Van Halen.
131 Gray Flange
The flanger that created the signature sound on Van Halen’s “Unchained”.
132 RedComp
A recreation of the popular Dyna Comp compressor.
Effects Collection
(Amp Input Only)