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Connecting Audio Amplifiers to the C 1
The basic home theater setup is 5.1 channels: Front (left and right), Surround (left and right) and
Center (front), plus a subwoofer (the “.1” in the array). That’s sufficient for the Dolby Digital, and
DTS soundtracks on most DVDs and the Dolby Surround soundtracks on most videocassettes,
Laserdiscs, and broadcasts.
The two surround back channels are optional, as the diagram indicates. They are needed for optimum
surround from 7.1-channel Dolby Digital Surround EX or DTS ES soundtracks and from 7.1-channel
sources that use the 7.1-channel analog inputs. However, if you have surround back speakers, the C 1
will extract ambience information to feed them when you select the DTS Neo:6 Cinema or Neo:6
Music modes (which also work with non-DTS program material). If your system does not yet have
surround back speakers, 7.1-channel soundtracks will be reproduced as regular 5.1-channel surround.
As you can see from the diagram, if you start with a five-channel amp and want to expand your sys-
tem later, you can add a stereo (two-channel) amp to drive the additional speakers.
Amplifier Alternatives
The amplifier setup shown above – a five-channel amplifier and an optional two-channel amp,
both connected to the 7.1-channel unbalanced analog outputs -- is far from mandatory. A five-
channel amplifier is convenient, compact, and cost-effective, a two-channel amp is a convenient
way to add a pair of channels, and most amplifiers have unbalanced inputs.
If you own a two-channel amplifier that’s better or more powerful than your five-channel amplifi-
er, we recommend you use it for the left and right front channels to assure the best possible
sound when playing stereo music.
It would also be possible to use the balanced outputs on the C 1, as long as your amplifiers
have balanced inputs. For powered subwoofers, unbalanced connections are commonly used,
as few subwoofers have balanced input jacks.
Front Surround Center
Sub
Back
Balanced Analog Audio OutputsBalanced Analog Audio Inputs
C2 Controller
Parasound Products, Inc.
San Francisco, California, USA
Input 1
Input 2
Input 3
Output
Component Video Inputs and Outputs
Sync
Red
Green
Blue
H
V
Pr Y Pb
Composite Video Inputs Video Outputs
S-Video Inputs
Video 1 Video 2 Video 3 Video 4 Video 5 Video 6
S-Video Outputs
Record
Main
Digital Out
Coax
Digital Audio Inputs
Optical
Made In
Finland
Expansion Port For
Future Technologies
IR Inputs – 12V Triggers –
RS-232 Control
External Control
L
R
L
R
Analog Audio Inputs Tape Monitor Analog Audio Outputs Programmable OutMain Analog Audio Outputs7.1 Analog Audio Inputs
1
0
AC Power
CAUTION
TO PREVENT ELECTRIC SHOCK,
DO NOT REMOVE COVER. NO USER
SERVICEABLE PARTS INSIDE,
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
Left
Right
Left
Right
Center
Subwoofer
Left Surround
Right Surround
Left Back
Right Back
Pro 1
Record 1Record 2 ZoneAudio 5
Play/In Rec/Out
Digital Out
Optical
Main Zone P1 P2 On-Off
Record
OSD
Zone
NoOSDMain
OSD No OSD
Video 1
Video 2
Video 3
Video 4
Video 5
Video 6
Optical 1
Optical 3
Coax 1
Coax 2
Coax 3
Coax 4
Optical 2
Optical 4
Video 1 Video 2
Video 3 Video 4
Video 5 Video 6
Audio 1 Audio 2
Audio 3 Audio 4
Pro 3
Pro 1
Pro 4
Pro 2
Front Surround Center Back
POWERED
SUBWOOFER
Inputs
Outputs
RIGHT MAIN
CHANNEL
SPEAKER
RIGHT
BACK
SPEAKER
CENTER
CHANNEL
SPEAKER
LEFT SURROUND
SPEAKER
RIGHT SURROUND
SPEAKER
LEFT MAIN
CHANNEL
SPEAKER
LEFT
BACK
SPEAKER
TV-VIDEO
MONITOR
5 CHANNEL AMPLIFIER
Inputs
Outputs
2 CHANNEL AMPLIFIER
RCA Plug
XLR Connectors
Male
Female
CONNECTING THE AUDIO AND VIDEO OUTPUTS continued
48
What You May Need:
•
6 to 8 unbalanced or balanced analog interconnects
(one per channel)