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Model MRC88 Page: 25
MRC88 KEYPAD REMOVAL
© 2003 Xantech Corporation
1
2
POWER
CH
CH
STATUS
SELECT
PLAY
STOP
PAUSE
FF
REW
VOL
VOL
MUTE
Figure 9 – Removing the MRC88 Keypad from the wall
1. Insert the MRC88 keypad removal tool into the slot at the bottom of the keypad, as shown in Figure 9,
being sure that the tool is inserted so that the “insert to here” line slides under the Keypad. This will reduce
the risk of damage to the Keypad or the wall.
2. Twist the removal tool in either direction until the bottom of the Keypad pulls away from the wall, then
carefully grip the edges of the Keypad with your fingers and pull it off the wall.
NOTE: Since the Keypad snaps into the mounting bracket and there are a large variety of wall textures, the
Keypad may POP OUT or require some additional effort to pull it off the wall, depending on your particular
installation.
CONNECTING THE MRC88 CONTROLLER/AMPLIFIER
When making connections to the MRC88 Controller be sure the power cord is unplugged. Proceed as follows,
referring to Figure 3 and Figure 13 for a typical MRC88 system layout and interconnections:
SOURCE RELATED CONNECTIONS
The following relates to all source related connections to the MRC88 Controller Unit (A/V In/Out, IR Control,
Sense Inputs etc.)
S
OURCE COMPONENT CONNECTIONS
Audio Connections
(BASIC/ADVANCED)
Using good quality RCA-type patch cables connect the LEFT and RIGHT OUTPUT jacks of the source
component (DVD, CD, Satellite receiver, etc.) to the appropriate source AUDIO LEFT and AUDIO RIGHT
INPUT jacks on the MRC88 - Figure 3-(22).. Do this for each source component.
(EXPANDED)
Using good quality RCA-type patch cables connect the source AUDIO LEFT and AUDIO RIGHT OUTPUT
Jacks of the ‘Primary Controller’ - Figure 3-(23). to the corresponding source AUDIO LEFT and AUDIO
RIGHT INPUT jacks on the ‘Secondary Controller’ - Figure 3-(22).
Video Connections
(BASIC/ADVANCED)
Using good quality RCA-type video patch cables connect the VIDEO OUTPUT jacks of the source
component to the VIDEO INPUT jacks on the MRC88 - Figure 3-(22). Do this for each source Component.
(EXPANDED)