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Controls and displays
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RECEIVER
Switches the remote to control the
receiver (used to select the features such
as
SLEEP
,
MCACC SETUP
, etc). Also use
this button to set up surround sound
(page 41, page 48).
3 RECEIVER CONTROL buttons
STANDARD
Press for Standard decoding and to
switch between the various Pro Logic II
and Neo:6 options (page 34).
ADVANCED SURROUND
Use to switch between the various
surround modes
(page 34).
STEREO/DIRECT
Switches between direct and stereo
playback. Direct playback bypasses the
tone controls and channel levels for the
most accurate reproduction of a source
(page 35).
MIDNIGHT/LOUDNESS
Switches to Midnight or Loudness
listening
(page 39).
CH SELECT
Selects a speaker when setting up the
surround sound of the receiver
(page 49).
LEVEL +/–
Adjusts the levels of the surround sound
of the receiver
(page 49).
TEST TONE
Sounds the test tone when setting up the
surround sound of the receiver
(page 49).
MUTE
Mutes the sound (or restores the sound if
it has been muted).
EFFECT +/–
Adds or subtracts the amount of effect
with different advanced surround modes
(page 34).
FL DIMMER
Dims or brightens the display.
4 MASTER VOLUME +/–
Use to set the listening volume.
5 Receiver and component control
buttons
(Press the corresponding
MULTI
CONTROL
button first to access).
These controls function according to the
component you’ve selected.
TOP MENU
Displays the disc ‘top’ menu of a DVD.
SR+
Switches the SR+ mode on/off (page 50).
AUDIO
Changes the audio language or channel
with DVD discs.
MCACC SETUP
Use to setup your speaker system using
the multichannel acoustic calibration
system (page 48 and (VSX-D814 only)
page 13).
MENU
Displays the disc menu of DVD-Video
discs. It also displays TV and DTV menus.
INPUT ATT
Attenuates (lowers) the level of an analog
input signal to prevent distortion.
T.EDIT
Use to memorize and name a station for
recall using the
STATION +
/
–
buttons
(page 53).
GUIDE
Displays the guides on a digital TV.
SUBTITLE
Displays/changes the subtitles included
in multilingual DVD-Video discs.
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