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Reference
Patch Name Function
Unison VOX Adds a octave down voice to the vocal.
M&F Duet Transforms a voice into a male part and female part.
VOX Detune Adds a detune voice to the vocal.
CHIPS & MUNK Pitch shifting effect that raises the octave of the voice.
Deep Voice Pitch shifting effect that lowers the octave of the voice.
■ GTR (Guitar/Bass Group)
Patch Name Function
JC Clean Roland JC-120. Use chorus on the mixdown.
Rock Lead Straight-ahead distortion sound with delay.
TW Clean American-made vacuum tube combo amp from the black-face period.
TEXAS Driven sound of an American-made vacuum tube amp from the 50’s.
Driven Lead Replica of a British combo amp modified for high gain.
Metal Lead A lead sound suitable for metal.
SWEET LEAD Large vacuum tube amp stack popular in British hard rock of the 70’s.
Delayed Lead Straight-ahead distortion sound with delay.
80’s Hard Powerful high-gain metal sound.
90’s Metal Large vacuum tube amp popular for American heavy metal.
7TH STRINGS? The sound of a large vacuum tube amp for heavy metal using a seven-string guitar.
JAZZ GT The sound of a vacuum tube combo amp.
PH CRUNCH Natural-sounding crunch distortion.
JET FLANGER Distortion with a metallic-sounding flanging effect.
AC SimCuttin A tone with a strong attack that won’t get buried by other instruments in the band.
ACOUSTY Use this with a humbucking pickup guitar to obtain the tone of an acoustic guitar.
AC Sim Lead Use this with a single-coil pickup guitar to obtain the tone of an acoustic guitar.
Brite Acustc Simulates the sound of the pickups installed in an electric-acoustic. A compressor is lightly applied to the attack.
Tight Bass Transforms an electric guitar into a crisp-sounding bass guitar.
Loose Bass Transforms an electric guitar into the sound of a bass guitar strung with heavy strings.
A.GTR Fat Simulates a fat-sounding acoustic guitar.
A.GTR LEAD Simulates an acoustic guitar suitable for lead playing.
MIC’D ACUSTC Produces the sound of an acoustic guitar recorded through a mic.
WIDE ACUSTC Simulates an acoustic guitar with a wide left/right spatial spread.
SLAP’n POP Hard-compressed sound suitable for slap playing.
FRETLESS B. Simulates a fretless bass.
PHASE BASS Produces the sound of a bass with a phaser effect applied.
FLANG BASS Produces the sound of a bass with a flanger effect applied.
STD BASS Produces the vintage sound of an early transistor amp.
DRIVIN’ BASS A large double-stack vacuum tube amp with a distinctive ultra-low sound and edge.
JC-120+COMP An algorithm for simultaneously recording a guitar sent through the JC-120 together with a vocal.
CRUNCH+COMP Suitable for simultaneously recording a crunch sound with natural distortion together with a vocal.
BLUES+COMP Suitable for simultaneously recording a midrange lead sound suitable for blues together with a vocal.
HVY CM + VO Suitable for simultaneously recording the Liverpool sound of the 60’s together with a vocal.
S-PZO+DL EFX Suitable for simultaneously recording an electric-acoustic pickup simulation together with a vocal.
SIM+50msDL Suitable for simultaneously recording the sound of a large-bodied acoustic guitar together with a vocal.
SIM+HVY CM Suitable for simultaneously recording an acoustic guitar with a strong attack together with a vocal.
H-ENH+LNG DL Suitable for simultaneously recording an acoustic guitar sound together with a vocal with a long delay applied.
Effect Patch List