American Audio DCD-PRO1000 Stereo Amplifier User Manual


 
BASIC OPERATIONS (CONT.)
©American Audio® - www.americanaudio.us - DCD-PRO1000™ Instruction Manual Page 21
EXITING A LOOP - To exit a SEAMLESS LOOP, press the OUT
BUTTON (24)
. The IN BUTTON (25) and OUT BUTTON (24) L.E.D.s
will remain on, but will stop flashing. Music playback will resume
normal play (Figure 21). The IN BUTTON (25)
and OUT BUTTON
(24) L.E.D.s will remain on to remind you that a loop is stored in
memory.
Figure 21
REPLAY LOOP - The RELOOP (23) function allows you to
return to your stored loop at any time. The
IN BUTTON (25)
and
OUT BUTTON (24) L.E.D.s will indicate a loop is stored in
memory, and may be played at any time. To replay the loop,
press the
RELOOP BUTTON (23). The IN BUTTON (25) and
OUT BUTTON (24) L.E.D.s will again begin to flash indicating
SEAMLESS LOOP mode has been activated (Figure 22) and
your stored loop will immediately begin to play.
Stutter Effect: You can use your loop to create a stutter effect.
When a loop is playing press the IN BUTTON (25)
repeatedly to
create this effect.
Figure 22
11. EDITING A LOOP:
Please Note: Only the end point of the loop may be edited. You may make your loop shorter or longer. Before
you can edit your seamless loop you obviously must first have created a seamless loop to edit. If you haven’t
created a SEAMLESS LOOP, follow the instructions in step 10 to create a loop. If a SEAMLESS LOOP has
already been created, press the RELOOP BUTTON (23) to activate your SEAMLESS LOOP (Figure 22) if it is
not already activated. To edit your seamless loop’s ending point:
Press the OUT BUTTON (24) to return to normal play from the
loops cue point. (Figure 21). This will disengage the SEAMLESS
LOOP mode and allows you to edit the loops ending point.
1)
Press the OUT BUTTON (24) again when you reach your new
ending point (Figure 21).
- FOR A SHORTER LOOP: Press the
OUT BUTTON (24) at
sooner point in the track (Figure 23).
- FOR LONGER LOOP: Press the
OUT BUTTON (24) at later
point in the track (Figure 23).
2)
Figure 23