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List of available gong parameters
Type four-stroke, three-stroke
bar1: first gong stroke, A highest sound, B, C, to D deepest sound
attack1: attack rate from 00ms (hard) to 99ms (soft)
release1: fading sound from XXL (long, several seconds.), XL, L, M, S, XS, XXS (short, approx. 1sec)
start 2: start delay of the second gong stroke in seconds. (min 00.0s, max 99.9s)
bar2: second gong stroke, A highest sound, B, C, to D deepest sound
attack2: attack rate from 00ms (hard) to 99ms (soft)
release2: fading sound from XXL (long, several seconds.), XL, L, M, S, XS, XXS (short, approx. 1sec)
start 3: start delay between second and third gong stroke in seconds. (min 00.0s, max 99.9s)
bar3: third gong stroke, A highest sound, B, C, to D deepest sound
attack3: attack rate from 00ms (hard) to 99ms (soft)
release3: fading sound from XXL (long, several seconds.), XL, L, M, S, XS, XXS (short, approx. 1sec)
start 4: start delay between third and fourth gong stroke in seconds. (min 00.0s, max 99.9s)
bar4: fourth gong stroke, A highest sound, B, C, to D deepest sound
attack4: attack rate from 00ms (hard) to 99ms (soft)
release4: fading sound from XXL (long, several seconds.), XL, L, M, S, XS, XXS (short, approx. 1sec)
Type two-stroke, one-stroke
bar1: first gong stroke, A highest sound, B, C, to D deepest sound
attack1: attack rate from 00ms (hard) to 99ms (soft)
release1: fading sound from XXL (long, several seconds.), XL, L, M, S, XS, XXS (short, approx. 1sec)
start 2: start delay of the second gong stroke in seconds. (min 00.0s, max 99.9s)
bar2: second gong stroke, A highest sound, B, C, to D deepest sound
attack2: attack rate from 00ms (hard) to 99ms (soft)
release2: fading sound from XXL (long, several seconds.), XL, L, M, S, XS, XXS (short, approx. 1sec)
repetition: number of repetitions of the gong sequence (min 1x, max 9999x), 0000 corresponds to
infinite repetition.
rep-del: time between two gong sequences in seconds (min 00.1s, max 99.9s).
Remarks regarding parameter setting:
Although the above mentioned parameters are extensively variable, the gained results not always
represent a good sound. E. g.: attacks for low frequency bar strokes are acoustically quite different from
the gong A sound.
Since a maximum of 2 gong strokes can be simultaneously processed, starting the third gong too early
will abruptly end the first one and lead to unpleasant sound cut-off knacks. Effects like these resulting
from extreme parameter settings are of physical reason and should be optimized by listening tests, first.
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