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EFFECT
19
DELAY
This eect adds delayed sound to the direct sound, giving more body to
the sound or creating special eects.
Parameter Value Explanation
DELAY
ON/OFF
OFF, ON Turns this eect on/o.
TYPE
This selects which type of delay.
* If you switch patches with the Type set to either DUAL-S, DUAL-P,
or DUAL- L/R and then begin to play immediately after the
patches change, you may be unable to attain the intended eect
in the rst portion of what you perform.
* The stereo eect is cancelled if a monaural eect or COSM amp is
connected after a stereo delay eect.*
SINGLE This is a simple monaural delay.
PAN
This delay is specically for stereo output. This
allows you to obtain the tap delay eect that
divides the delay time, then deliver them to L and
R channels.
INPUT
OUTPUT L
OUTPUT R
Feedback
Dly Time
EectLev
DELAY
Tap Time
STEREO
The direct sound is output from the left channel,
and the eect sound is output from the right
channel.
DUAL-S
This is a delay comprising two dierent delays
connected in series. Each delay time can be set in
a range from 1 ms to 1000 ms.
D1 D2
D1: DELAY 1
D2: DELAY 2
DUAL-P
This is a delay comprising two delays connected in
parallel. Each delay time can be set in a range from
1 ms to 1000 ms.
D1
D2
DUAL-L/R
This is a delay with individual settings available for
the left and right channels. Delay 1 goes to the left
channel, Delay 2 to the right.
D1
D2
L
R
REVERSE
This produces an eect where the sound is played
back in reverse.
ANALOG
This gives a mild analog delay sound. The delay
time can be set within the range of 1 to 2000 ms.
TAPE
This setting provides the characteristic wavering
sound of the tape echo. The delay time can be set
within the range of 1 to 3400 ms.
MOD
(MODULATE)
This delay adds a pleasant wavering eect to the
sound.
COMMON
Parameter Value Explanation
DELAY TIME
1 ms–2000 ms,
BPM
–
This determines the delay time.
* When set to BPM, the value of each
parameter will be set according to the
value of the “MASTER BPM” specied for
each patch. This makes it easier to achieve
eect sound settings that match the tempo
of the song.
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time.
F.BACK 0–100
This sets the amount of delay sound returned
to the input. A higher value will increase the
number of the delay repeats.
HIGH CUT
630 Hz–12.5 kHz,
FLAT
This sets the frequency at which the high
cut lter begins to take eect. When “Flat”
is selected, the high cut lter will have no
eect.
EFFECT LEVEL 0–120 Adjusts the volume of the delay sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
PAN
Parameter Value Explanation
TAP TIME 0–100%
Adjusts the delay time of the left channel
delay. This setting adjusts the L channel delay
time relative to the R channel delay time
(considered as 100%).
DUAL-S, DUAL-P, DUAL-L/R
Parameter Value Explanation
D1:TIME
D2:TIME
1 ms–1000 ms,
BPM
–
This determines the delay time.
* When set to BPM, the value of each
parameter will be set according to the
value of the “MASTER BPM” specied for
each patch. This makes it easier to achieve
eect sound settings that match the tempo
of the song.
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time.
D1:F.BACK
D2:F.BACK
0–100
Adjusts the amount of feedback of the DELAY
1 (or DELAY 2). A higher value will increase
the number of the delay repeats.
D1:HI CUT
D2:HI CUT
630 Hz–12.5 kHz,
FLAT
This sets the frequency at which the high
cut lter begins to take eect. When “FLAT”
is selected, the high cut lter will have no
eect.
D1:LEVEL
D2:LEVEL
0–120
Adjusts the volume of the DELAY 1 (or DELAY
2).