Behringer DEQ2496 Stereo System User Manual


 
20
ULTRACURVE PRO DEQ2496
7. SPECIFICATIONS
Digital inputs/outputs on optical connectors are also available.
5.4 WORDCLOCK connection
If several devices shall be embedded into a digital recording
system comprising, for example, a digital mixing console, all
connected digital devices must be synchronized using a common
wordclock signal. To this end, your DEQ2496 features a
wordclock input, which can be used to control external equipment
via wordclock signals. The input supports the sample rates
44.1, 48, 88.2 and 96 kHz, and can be activated only if the analog
inputs are used.
6. OPERATING software
The operating software of your ULTRACURVE PRO DEQ2496
is constantly being developed to improve its performance and
adapt the operation of the unit to user requirements. We would
therefore be pleased to hear about your suggestions and ideas
for improvement. We will try to include your suggestions in the
next software revision. Information on new software versions
are available from the trade press, your retailer, from our web
site at www.behringer.com or directly from BEHRINGER
(Tel. +49 2154 9206 4166).
The current software revision of your ULTRACURVE PRO
DEQ2496 is displayed in the UTILITY menu on page 1 (top right).
7. SPECIFICATIONS
Analog inputs
Type electronically balanced
Connector XLR
Impedance 22 k at 1 kHz
Max. input level +12 or +22 dBu, switchable
CMRR 40 dB typ.
Analog outputs (main)
Type servo-balanced
Connector XLR
Impedance 100 at 1 kHz
Max. output level +12 or +22 dBu, switchable
Analog outputs (aux)
Type servo-balanced
Connector 1/4" stereo jack
Impedance 100 at 1 kHz
Max. output level +12 dBu
System specifications
Frequency range 10 Hz to 35 kHz (-1 dB)
@ 96 kHz sampling rate
Signal-to-noise ratio > 113 dB main input/output
> 107 dB aux output
THD 0.007 % typ. @ +4 dBu, 1 kHz,
unity gain
Crosstalk < -92 dB/-95 dB
Bypass
Type Relay, hard-bypass in case of
power failure
Measurement microphone input
Type electronically balanced
Input impedance 2 k
Max. input level (LINE) variable from -14 dBu to +22 dBu
Max. input level (MIC) variable from -42 dBV/Pa to
-6 dBV/Pa
Phantom power +15 V, switchable
Digital input 1
Type XLR transformer-balanced
Standard AES/EBU or S/PDIF
Input impedance 110
Nom. input level 0.2 - 5 V peak-to-peak
Digital input 2
Type TOSLINK optical
Standard AES/EBU or S/PDIF
Digital output 1
Type XLR transformer-balanced
Standard AES/EBU or S/PDIF
Impedance 110
Output level 3.5 V peak-to-peak
Digital output 2
Type TOSLINK optical
Standard AES/EBU or S/PDIF
Sync input
Type BNC
Standard Wordclock (1 x sample rate)
Input impedance 50 k
Nom. level 2 - 6 V peak-to-peak
MIDI interface
Type 5-pole DIN jacks In/Out/Thru
Implementation cf. MIDI implementation chart
Digital processing
Converter 24-bit Delta-Sigma,
64/128-oversampling (AKM
®
)
Sample rate 44.1, 48, 88.2, 96 kHz
Graphic equalizer (GEQ)
Type digital 1/3-oct EQ
Frequency range 20 Hz to 20 kHz, 31 1/3-oct. bands
according to ISO frequencies
Bandwidth 1/3-oct.
Control range +15 to -15 dB
Parametric equalizer (PEQ)
Type max. 10 independent, fully
parametric filters per channel
Frequency range 20 Hz to 20 kHz
Bandwidth 1/10 to 10 oct., shelving filters
(6 and 12 dB)
Control range +15 to -15 dB
Dynamic equalizer (DEQ)
Type max. 3 independent, fully
parametric filters per channel
Frequency range 20 Hz to 20 kHz
Bandwidth 1/10 to 10 oct., shelving filters
(6 and 12 dB)
Control range +15 to -15 dB
Threshold variable from 0 to -60 dB
Attack 0 to 200 msec
Release 20 to 4,000 msec
Ratio 1:2 to 1:100
Feedback Destroyer (FBD)
Type digital signal analysis for
feedback identification
Filter max. 10 digital notch filters per
channel, programmable or as
automatic feedback suppression
system
Frequency range 20 Hz to 20 kHz
Bandwidth 1/10 to 1/60 oct.
Control range 0 to -60 dB