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6
Panel descriptions
Control Panel
fig.01-01
1. INPUT Connector
Connect your mic or line instrument (e.g., acoustic guitar
or keyboard) here.
fig.XLR/TRSJack.eps
2. SELECT Switch
Push this to choose the input level that's appropriate for
the device you've connected (mic/line). When this is in
the Line position, you’ll be able to use an acoustic guitar
or keyboard.
3. VOLUME Knob
Adjusts channel volume.
4. BASS Knob
Adjusts the tone quality of the lower range.
5. TREBLE Knob
Adjusts the tone quality of the upper range.
6. DELAY/REVERB Knob
Turn this knob to DELAY or REVERB to switch to that
effect.Turn the knob to adjust the amount of effect applied.
* Graduations for DELAY, REVERB on a panel are for reference.
Be sure to check the sound as you adjust the effects.
DELAY
Turn the knob to change the time and
amount of delay effects.
REVERB
Spacious-sounding stereo reverb is
provided. Turn the knob to adjust the
reverb level.
7. INPUT Jack
Here you can connect your electric guitar, acoustic
guitar, electronic instrument such as a keyboard, or mic.
8. TUNER Switch
The switch lights in red when the tuner function is on;
the switch is unlit when the tuner is off.
For more detailed information, refer to p. 9.
9. Type Switch
You can select from the following eight types.
When the tuner function is on, you can use this to select
the name of the string to be tuned (p. 9).
INSTRUMENT
Select this if you’ve connected an acoustic guitar or an
electronic instrument such as a keyboard.
JC CLEAN
This is a model of Roland’s famous JC-120 Jazz Chorus
guitar amplifier. The ultra-clean, ultra-flat sound offers
a smooth.
This becomes more effective when used in combination
with a external effector.
BLACK PANEL
This is modeled on the classic Fender Twin Reverb
amplifier, used in a wide variety of musical styles, from
country to blues, jazz and rock. Exhibiting rich lows and
a bright high end.
BRIT COMBO
This is modeled on the Vox AC-30TB, the rock amplifier
that created the Liverpool sound of the ’60s. It can
produce a broad range of sounds, from clean to
overdrive, with increased distortion and greater power in
the low-midrange when the amplifier’s gain is boosted.
CLASSIC STACK
This is modeled on the sound and response of a Marshall
JMP1987. The legendary JMP1987 is renowned for its
smooth tone and presence-perfect for classic and hard rock.
1 3
7
8
2
6
12
13
9
14
15
10 11 17 18
54
16 19 20
MIC/LINE CHANNEL
EQUALIZER
DELAY/REVERB
GUITAR/INSTRUMENT CHANNEL
CUBE-Street_egfispd.book Page 6 Thursday, June 28, 2007 8:55 AM