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BASIC OPERATIONS (CONT.)
©American Audio® - www.americanaudio.us - MCD-710™ Instruction Manual Page 19
EXITING A LOOP - To exit a SEAMLESS
LOOP, press the OUT BUTTON (16)
. The IN
BUTTON (17))
and OUT BUTTON (16) L.E.D.s
will remain on, but will stop flashing. Music
playback will resume normal play (Figure 18).
The IN BUTTON (17)) and OUT BUTTON (16)
L.E.D.s will remain on to remind you that a loop
is stored in memory.
Figure 18
REPLAY LOOP - The RELOOP (15) function
allows you to return to your stored loop at any
time. The
IN BUTTON (17)) and OUT BUTTON (16)
L.E.D.s will indicate a loop is stored in memory,
and may be played at any time. To replay the loop,
press the
RELOOP BUTTON (15). The IN BUTTON
(17))
and OUT BUTTON (16) L.E.D.s will again begin
to flash indicating SEAMLESS LOOP mode has
been activated (Figure 19) and your stored loop will
immediately begin to play.
Stutter Effect: You can use your loop to create a
stutter effect. When a loop is playing press the IN
BUTTON (17))
repeatedly to create this effect.
Figure 19
10. EDITING A LOOP:
Please Note: Only the end point of the loop may be edited. You may make your loop shorter or longer. Before
you can edit your seamless loop you obviously must first have created a seamless loop to edit. If you haven’t
created a SEAMLESS LOOP, follow the instructions in step 9 to create a loop. If a SEAMLESS LOOP has
already been created, press the RELOOP BUTTON (15) to activate your SEAMLESS LOOP (Figure 19) if it is
not already activated. To edit your seamless loop’s ending point:
Make sure the loop that you want to edit is playing.
Now press and hold the RELOOP BUTTON (15) until
the start time of your loop is displayed.
- FOR A SHORTER LOOP: Turn the
JOG WHEEL
(1)
counter clockwise to make the loop shorter.
Press the OUT BUTTON to set the ending point
of your loop.
- FOR LONGER LOOP:
Turn the JOG WHEEL
(1)
clockwise. Press the OUT BUTTON to set the
ending point of your loop.
Notice: the time changes according to the setting
of the time display, i.e. REMAIN or ELAPSED.
Figure 20