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Panel Descriptions
TYPE switch (
➅
) COSM amp type list
* All product names mentioned in this document are trademarks or registered trademarks of their respective owners, and are not related to Roland
Corporation.
In this manual, these names are used as appropriate ways to indicate sounds that are simulated using COSM technology.
SUPER FLAT
An original amp featuring a wide-range frequency response.
This amp type provides faithful reproduction of the connected bass’s own sound.
This is a great type for all kinds of connected instrument.
This produces a mild tone with a fat midrange, providing a sound that is per-
fect for fretless basses, including fretless electric and wood acoustic basses.
FLIP TOP
Models the Ampeg B-15 (1 x 15”). This amp provided the underpinning for many of the
most famous Motown hits.
It features a fat sound, while the amp’s compact cabinet produces a distinct contour.
Offers more nuances of your picking expression.
B MAN
Models the Fender Bassman 100 (4 x 12”).
This amp has been a favorite since the inception of electric basses. It features the sonic char-
acteristics of tube amps, whereby increasing the distortion slightly yields a fatter sound.
Offers a tone with boosted midrange fatness.
T.E
Models the Trace Elliot AH600SMX + 1048 (4 x 10”) + 1518 (1 x 15”). This amp was used
widely by rock bands in the 1980s. Its wide range, clear attack, and other features make it a
great amp for all kinds of performance situations.
Offers more attack.
BASS 360
Models the acoustic 360 (1 x 18”).
This amp was used in the ’70s not only by jazz bassists, but by funk and hard rock players
as well. The tone features a warm low end with a midrange that maintains a clear contour,
even with finger picking.
Offers more nuances of your picking expression.
SESSION
Models the SWR SM-400 + Goliath (4 x 10”) + Big Ben (1 x 18”). This tweeter-equipped amp
is representative of the “L.A. Sound” of the ’80s. It features a wide-range tone that balances
presence in the low end with a clear, open sound.
Offers a tight tone with a cut midrange.
CONCERT 810
Models the Ampeg SVT + 810E (8 x 10”).
This amp typifies the rock sound that relied heavily on combinations of high-output tube
amp sections and large-sized cabinets.
The characteristic sound is one of overwhelming low-frequency sound pressure.
Offers extra heavy bottom sound.
OCTAVE BASS
This original amp type creates sounds one octave below the input sounds and layers them
together to create a fatter bass sound.
* This function may not work properly when inputting chords; for example, sounds may not
play, or they may be played at incorrect pitches. Always input a single note.
This produces a more powerful, edgy octave sound.
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