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Specifications ECM-TL1 ECM-CZ10 ECM-PC50 ECM-DS70P ECM-MS957 ECM-C10 ECM-CS10 ECM-DS30P ECM-DM5
Type Electret Condenser
Directivity
Omni-
directional
x 2
Uni-
directional
Omni-
directional
Uni-
directional
x 2
Uni-
directional
90/120
degrees
Omni-
directional
Uni-directional x 2
Uni-
directional
Frequency Response (Hz) 20-20,000Hz
100-
10,000Hz
100-15,000Hz 50-18,000Hz 50-15,000Hz
100-
16,000Hz
100-
10,000Hz
100-
15,000Hz
Sensitivity -35 dB/mW
-33 + -4.0
dB/mW
-42 + -3.5
dB/mW
-40 + -3.5
dB/mW
-45.8 + -3.5
dB/mW
-40 + -3.5 dB/mW
-34 + -3.5
dB/mW
Impedence 1.6k -
Recording Mode Monaural Stereo Monaural Stereo Monaural
Cord Length 1.5m 1m 1.2m - 2m 1m -
Dimensions (W x H x D) -
32 x 60
x 110mm
19 x 100
x 8mm
58 x 10
x 57mm
44 x 183mm 8 x 19mm 11 x 31mm 12 x 57mm 10 x 45mm
Weight Approx. 8g Approx. 20g Approx. 30g Approx. 10g Approx. 330g Approx. 10g Approx. 15g Approx. 17g Approx. 15g
95
Personal Audio Collection I Oct 2010 - Mar 2011
angle-adjustable
ECM-DS30P
Small and compact microphone for IC recorders
• Electret condenser, uni-directional (stereo)
• Direct plug-in power for easy operation
• Compact design for easy portability
• Adjustable angle mechanism (0-60°) for optimal performance during
meetings and interviews
• Structure prevents vibration and sound from players for a
clearer recording
• Gold-plated stereo mini-plug minimises transmission loss
ECM-C10
Versatile tie-pin microphone for interviews
• Electret condenser, omni-directional
• Small and compact tie-pin microphone for discreet recording
• Clip-on/detachable holding clip for ease of attaching microphone to tie,
clothing and versatile usage on a desktop
• High sound quality recording utilising a 5.5mm ECM microphone capsule
• Stand mechanism on clip allows for placement on table for use in meetings
• Plug-in power from recording device with plug-in power function
• 1m OFC Litz cord with gold-plated plug for minimal transmission loss
ECM-MS957
Microphones ideal for stereo digital live recording
• Electret condenser, uni-directional (stereo)
• Directive angle switch (90–120°)
• Wide dynamic range of 90dB enabling faithful stereo pickup
• MS stereo type for excellent localisation of sounds and more natural pickup
• Mid-side dynamic stereo system makes panoramic stereo recording
possible with 1 microphone
• Turning capsule mechanism enables directional change on the pick-up of
mid microphone capsule to best match the microphone set-up
• OFC Litz cord and gold-plated plug minimise signal transmission loss to
accurately deliver the original sound
• Cannon-type connector
ECM-CS10
Versatile stereo microphone for interviews
• Electret condenser, uni-directional (stereo)
• Small and compact tie-pin microphone for discreet recording
• Clip-on/detachable holding clip for ease of attaching microphone to
tie, clothing and versatile usage on a desktop
• Realistic high sound quality recording utilising a 5.5mm ECM
microphone capsule
• Stand mechanism on clip allows for placement on table for use
in meetings
• Plug-in power from recording device with plug-in power function
• 1m OFC Litz cord with gold-plated plug for minimal transmission loss
• Coil cord which does not tangle easily even when being carried
angle-adjustable
ECM-DM5P
Tiny and compact; to complement IC recorder
• Electret condenser, uni-directional (mono)
• Direct plug-in power for easy operation
• Compact design for easy portability
• Gold-plated plug minimises transmission loss
• Die-cast body provides pure sound quality
• Adjustable angle mechanism (0-60°) for optimal performance during
meetings and interviews
• Structure prevents vibration and sound from players for
clearer recording
• Gold-plated stereo mini-plug minimises transmission loss
Features And Functions
Digital Recording
Sony’s High-Performance Microphones have been
designed for digital recording — maintaining the same
wide frequency range characteristics, dynamic range
and unmatched sound quality provided by your digital
recording equipment.
Mid/Side Stereo Microphone
Sounds are recorded from the front, as well as from
the left and right sides. The frontal sounds are being
picked up by the Mid Microphone Capsule, and the side
sounds by the Side Microphone Capsules. Hence, with
just one microphone, panoramic stereo recording can
be achieved by combining all the sound information from
both Microphone Capsules.
Zoom-In Position For A Clear
Distance Recording
This position enables you to record distant sounds without
including the surrounding noises. Suitable for stage
concerts as well as closed-up and telephoto situations.
Stereo Microphone
A Stereo Microphone allows for a clear recording
of discussions. Even in a heated discussion, every
overlapping voice is reproduced, capturing the real
atmosphere of the meeting.
Boundary Effect
A Flat Microphone for a better pick-up recording of the
speaker. The Flat Microphone, featuring the “Boundary
Effect System” is twice as sensitive as a normal
microphone with frequency levels of 2KHz–5KHz. It
records the speaker’s voice from every direction clearly,
with the least possible noise.
Uni-Directional Position To Capture
the Right Mood
This position captures the atmosphere of the scene
by accurately mixing the sounds of the main object
with those of its surroundings. Suitable for a variety of
situations, including background-oriented or mood-
capturing scenes, as well as lming of moving objects.
Wind Position For Clear Recording On
a Windy Day
This reduces wind noise, enabling you to record clearly
in a windy outdoor situation. Also suitable for a narrated
recording.
SYW033 PA Catalogue-Part2_Ver10.indd 94-95 10/25/10 6:38:22 PM