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11
ENGLISH
AUDIO CABLES
The variety of connectors on audio equipment sometimes leads to confusion in cabling. The diagrams below provide cabling recommendations for
most common cabling situations. The following is not a complete list, only a sample of some of the more commonly used cables and applications.
Some of the equipment in a given sound system may have different pinouts than the given examples. Consult the documentation for that equipment.
NOTE: All audio cables must be shielded. Except for the Shure Link cable, none of the cables shown is supplied with the DFR11EQ
Version 5.
• Mixer Line Out to DFR11EQ Input
• DFR11EQ Output to Amplifier Input
• DFR11EQ Output to Mixer Sub Return
• Mixer Send to DFR11EQ Input
• Mixer Sub Send to DFR11EQ Input
XLR (MALE) TO XLR (FEMALE) ¼ IN. TO ¼ IN. BALANCED
¼ IN. TO ¼ IN. UNBALANCED ¼ IN. BALANCED TO ¼ IN. UNBALANCED
XLR (MALE) TO ¼ IN. BALANCED XLR (FEMALE) TO ¼ IN. BALANCED
XLR (FEMALE) TO ¼ IN. UNBALANCED RCA TO ¼ IN. UNBALANCED
• DFR11EQ output to amplifier input
Y-ADAPTER CABLE, ¼ IN. BALANCED TO ¼ IN. UNBALANCED
• Mixer send/return (insert) to DFR11EQ input and output
PIN 2 +
PIN 1
PIN 3 -
PIN 3 -
PIN 1
PIN 2 +
SLEEVE
SLEEVE
RING -
TIP +
RING -
TIP +
SLEEVE
TIP +
SLEEVE
TIP +
SLEEVE
SLEEVE
RING -
TIP +
TIP +
SLEEVE
RING -
TIP +
PIN 3 -
PIN 2 +
PIN 1
SLEEVE
RING -
TIP +
PIN 3 -
PIN 2 +
PIN 1
SLEEVE
TIP +
PIN 3 -
PIN 2 +
PIN 1
SLEEVE
TIP +
SLEEVE
TIP +
SLEEVE
TIP +
RING -