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CONTROLS so that the dial indicators are
centered between the panel markings
L and R.
8. Adjust the VOLUME control to the desired
volume.
LISTENING TO A STEREO TAPE MACHINE
A stereo tape machine with its own play-
back preamplifiers should be plugged into
the
AUX
input
or the
TAPE
MONITOR
input-
not the TAPE HEAD input.
If the TAPE input is used, proceed as fol-
lows:
1. Turn the INPUT SELECTOR to TAPE.
2. Turn the MODE SELECTOR to MONO.
(L + R) or STEREO depending on the
program on the tape.
3. Set the PHASE switch to 0°.
4. Set the HF cutoff filter to FLAT. (See
ADJUSTING FOR SPECIAL EFFECTS.)
5. Set the RUMBLE filter control to FLAT.
(See page 12 ADJUSTING FOR SPECIAL
EFFECTS.)
6. Set the LOUDNESS control to NORMAL.
(See page 12 ADJUSTING FOR SPECIAL
EFFECTS.)
7. Set the BASS CONTROLS and TREBLE
USING THE C22 FRONT
Two tape machines can be used with the
C22 Stereophonic Preamplifier. After you
have connected your tape machine to the
rear panel of the preamplifier someone may
desire to bring i.n a portable machine to make
a copy of one of your tapes or to listen to one
of his tapes on your system. With the C22 you
no longer have to unplug your permanent
machine. The C22 is supplied with two
cables. The cables have phone plugs on one
end to plug into the front panel of the C22
and pin jacks on the other end to plug into
any tape machine. (Adapters are available at
any Hi-Fi retailer to permit pin plugs to con-
nect with phone jacks.)
To listen to the portable or second tape
machine plug the pin jack end of the two C22
cables, mentioned above, into the tape
machine output. Connect the telephone
plugs into the telephone jacks on the C22
front panel. The left jack supplies the left
channel. The right jack supplies the right
channel. Turn the INPUT SELECTOR switch
to TAPE. When the TAPE JACK control is
turned to the PLAYBACK position, the
permanent tape machine output is discon-
CONTROLS so that the dial indicators are
centered between the panel markings
L and R.
8. Adjust the VOLUME control to the desired
volume.
If the AUX input is used, turn the INPUT
SELECTOR to AUX; then, proceed the same
as for TAPE input.
1. Set the TAPE MONITOR switch to MON-
ITOR.
2. Turn the MODE SELECTOR switch to
MONO (L + R).
3. Set the PHASE switch to 0°.
4. Set the HF cutoff filter to FLAT. (See page
12 ADJUSTING FOR SPECIAL EFFECTS,)
5. Set the RUMBLE filter control to FLAT.
(See page 12 ADJUSTING FOR SPECIAL
EFFECTS.)
6. Set the LOUDNESS control to FLAT. (See
page 12 ADJUSTING FOR SPECIAL
EFFECTS.)
7. Set the BASS CONTROLS and TREBLE
CONTROLS so that the dial indicators are
centered between the panel markings
L and R.
8. Adjust the VOLUME control to the desired
volume.
PANEL TAPE INPUT JACKS
nected from the rear panel. The portable
tape machine is now connected and any
program originating
in
this machine
will
be
heard through the C22, and will also be
available from the C22 TAPE OUTPUT to
drive the permanent tape machine input.
This feature allows you to copy a tape from
the portable machine into your permanent
machine, provided your permanent machine
has its own recording preamplifier.
To record on the portable machine plug
the two phono pin plugs of the two C22
cables into the input of the portable machine.
Leave the telephone plugs connected to the
C22 telephone jacks on the front panel.
Operate the TAPE JACK switch to the RE-
CORD position. The permanent tape machine
will
be
reconnected.
Now any
program
picked up by the INPUT SELECTOR switch
will be available to drive the portable ma-
chine. You can now make a copy on the
portable machine of any tape played on the
permanent machine. You can copy any other
program source onto both tape machines at
the same time.
When recording from one tape machine to
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