18
Profile System Two
Specifications
Model KPS-PM300 6 Channel Dual Powered Mixer
145W per channel 4 Ohms @ 0.1% THD
150W per channel 4 Ohms @ 1% THD
170W per channel 4 Ohms @ 5% THD
CH 1 - 4 Mic XLR Balanced, Line 1/4" Balanced/Un-balanced
-110 dB Mic Input, Rs=150 ohm, 20-20kHz
-60dB Residual Noise, all level controls 0% (minimum)
-55dB Nominal System Noise, all level controls at 50%
+70dB Mic to Speaker Output (Ch 1 - 5)
+70dB Mic to Speaker Output (Aux)
+50dB Line to Speaker Output (CH 1 - 5)
+50dB Stereo Line to Speaker Output (CH 5)
+45dB Line to Speaker Output (Aux)
+40dB Mic to Sub Output ( measured using 80Hz)
+40dB Mic to Preamp Output
+40dB Mic to Monitor out
+40dB Mic to Record out
+30dB Power amp in to Speaker Output
Input Channel Equalization
Master Equalization
Sub Woofer
+40V Mic inputs (Ch 1 - 5)
+5V Mic input (Aux)
USA/Canada 120VAC/60Hz, 200W nominal
Europe 230VAC/50Hz, 200W nominal
UK 230VAC/50Hz, 200W nominal
Australia 240VAC/50Hz, 200W nominal
Japan 100VAC/50-60Hz, 200W nominal
mm/kg 345 (Height) x 252 (Width) x 290 (Depth), 11 kg
Inches/Pounds 13.6 (Height) x 10 (Width) x 11.5 (Depth), 24.2 lbs
Model KPS-LS300 Profile System Two Loudspeaker System
150W each EIA RS-426
300W each Program Power (music power)
Frequency Response 60HZ-20kHz +/- 3dB
Nominal Impedance 4 Ohms Per Cabinet, Accurate acoustical response
mm/kg 542 (Height) x 272.2 (Width) x 290 (Depth), 11.6 kg
Inches/Pounds 21.4 (Height) x 10.75 (Width) x 11.5 (Depth), 25.5 lbs
100 to 10kHz, 7 Band, 1 Octave Graphic, all ±12dB
Dimensions & Weight
Power Requirements
120Hz fixed, Low Pass
Digital Effects
Power Capacity
Dimensions & Weight Per
Cabinet
Phantom Power
Actual response is tailored to speaker cabinet for
accurate acoustical response.
Less than 0.4%
Measured at 1VRMS (0dBv) at record output, preamp
output, or monitor output.
Special curve that adjusts Bass and Treble frequencies
Hum & Noise
System Gain per Channel
Frequency Response 20HZ-20kHz
Output Power, Both Channels
Driven
24 bit DSP 16 preset stereo digital effects taylored for PA applications.
Total Harmonic Distortion
Mic XLR Balanced, Line 1/4" Un-Balanced Mono or
Stereo, Hi-Z instrument Un-Balanced Mono
Mic & line 1/8" stereo, RCA Stereo. Any combination
of these inputs can be used at once.
CH 5
Aux
Accepted Inputs
All Measurements made at 1kHz unless noted