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Model PH-100
<Example - 1: Using the PH-100 as a cue box >
The following figure shows the example of using PH-100s as cue boxes for recording.
Each PH-100 is installed in each booth of a recording studio. Musicians in each booth can monitor the sound
with the desired balance between signals from the [INPUT] and [AUX IN] jacks by adjusting the [INPUT] and [AUX
IN] controls on the front panel.
10
0
HEADPHONE AMP DISTRIBUTOR
POWER
10
0
PH-100
5
5
AUX IN
INPUT
MONO
ST
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
PEAK
109
8
7
6
5
4
3
2
1
PHONES
CAL
10
0
HEADPHONE AMP DISTRIBUTOR
POWER
10
0
PH-100
5
5
AUX IN
INPUT
MONO
ST
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
PEAK
109
8
7
6
5
4
3
2
1
PHONES
CAL
CUE OUT #1
CUE OUT #2
MON OUT
MIXER
AUX IN
AUX IN
INPUT
INPUT
<Example - 2: Using an individual talkback monitor facility>
The following figure shows the example of using an individual talkback monitor facility of the PH-100.
By connecting each [CHANNEL IN] jack to an individual cue output of the mixing console which can send a
talkback signal, you can send talkback to an individual musician.
10
0
HEADPHONE AMP DISTRIBUTOR
POWER
10
0
PH-100
5
5
AUX IN
INPUT
MONO
ST
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
10
0
5
PEAK
109
8
7
6
5
4
3
2
1
PHONES
CAL
+4dBu
5
4
3
2
1
10
9
8
7
6
PHONES (PRIORITY TO "FRONT PHONES" OUTPUT)
AC IN
CASCADE
OUT (-10dBV)
L
10
9
8
7
6
R
L/MONO
INPUT
(-10dBV)
CHANNEL IN (-10dBV)
INPUT L
INPUT R
-10dBV
-10dBV
HOT
R
L/MONO
AUX IN
(-10dBV)
COLD
GND
XLRPHONE
2
3
1
T
R
S
2
1
4
3
5
R
+4dBu
CUE OUT
INPUT
MON OUT
MIXER
CHANNEL IN
INPUT
5
Application Examples