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1 SDDS Print Master Format
SDDS Print Master Guidelines, Page 3 of 26
5 Akai DD8 machines – Care and Use 14
5.1 Models 14
5.2 Media 14
5.3 At the optical camera transfer facility 14
5.4 Track assignment 14
5.5 Synchronisation at the dubbing theatre 14
5.6 Levels 15
5.7 Problems with MO drives 15
5.8 Drive servicing 16
6 SDDS - T he indus t r y's best sounding f or mat 17
Hear the Difference
17
6.2 System Basics
17
SDDS Products
17
6.4 Big Sound for the Big Screen
17
6.5 Further details – Why is it the best sounding system? 18
6.6 Testimonials 19
7 Dolby level versus operating level. Historical notes. 20
8 Subwoofer s 21
8.1 Introduction 21
8.2 Setting the acoustical reference level on the dub stage. 21
8.3 Setting the subwoofer acoustical gain using a screen speaker as a reference. 21
8.4 Why we do it this way. 22
8.5 What it means. 22
8.6 Setting the digital screen speakers in the cinema. 22
8.7 Setting the digital subwoofer in the cinema. 23
8.8 Optical subwoofer defined. 23
8.9 Setting the optical subwoofer. 23
8.10 Subwoofer polarity. 24
8.11 Rule-of-thumb methods. 24
9 Glossary of Terms 25