Filter
Top Products
ver 1.0
11
1111
11
absolute fidelity
3.6 Defining the Soundstage
A common problem is a tendency to separate the speakers too far from
each other. This gives an unnaturally wide soundstage between the two
speakers, and creates problems beyond the unnatural width of the
center stage. It focuses the soundstage in between the two speakers,
and you lose the “space” and “ambience” of the musical performance.
If you find that the sound is not spacious enough, or you are not getting
enough front to back depth, pull the speakers away from the front wall.
This is typically preferable to separating the speakers too far, and will
almost always give you better depth and soundstage information. A
word of caution though: If you move the speakers too far from the front
wall you may lose the focus of the image.
In order to achieve what the speaker is capable of, we suggest you
focus your efforts on a proper balance of soundstage elements that
includes information beyond the left and right sides of the speakers, front
to back depth well behind the speaker, excellent focus of instruments
and voices, with proper vertical information and mid bass fill.
A Genesis loudspeaker system correctly set up, can and should provide
a soundstage that is wall-to-wall, with pinpoint focus; the speakers
disappearing completely on a recording containing such information.
With the G7.1c, adding a ServoSub or two will result in the walls of the
room melting away. Ambience of large acoustic spaces is defined by
low-bass, and the ServoSub adds that critical element when listening to
performances recorded in large venues.
3.7 Room Treatment
No room is perfect. To optimize your sonic presentation it may be helpful
to treat your room. Here are some guidelines:
Front walls. This loudspeaker is a dipole and therefore, there is
sound coming from both the front and back of the speaker. How the
front wall (the wall you face while listening), is treated or not
treated is important. Generally speaking, the Genesis loudspeakers
prefer a live (hard reflective) front wall to a dead (soft absorbent)
front wall.
By these terms, we mean the amount of reflection of sound. A typical
wall of glass, brick, cement or drywall material is a reflective
surface. A heavily curtained or sound-proofed wall would be
considered a "dead wall" or a non-reflective wall. A normal thin
curtain across a window causes only a small amount of absorption.