Harman-Kardon AVR 3700 Stereo Receiver User Manual


 
54
AVR
Appendix
Surround Mode Description Incoming Bitstream or Signal
DTS Neo:6
Mode Group
DTS Neo:6 analog processing is available with DTS and DTS 96/24 signals and
two-channel analog or PCM signals to create a 3-, 5- or 6-channel presentation.
See below
DTS Neo:6
Cinema
Depending on the number of speakers in your system, select 3-, 5- or 6-channel
modes, enhanced for movie or video presentations.
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DTS Neo:6
Music
Available only in 5- and 6-channel modes, creates a surround presentation
suitable for music recordings.
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Logic 7
Mode Group
A HARMAN proprietary technology, Logic 7 technology enhances two-channel
and matrix-encoded recordings by deriving separate information for the surround
back channels. It provides more accurate placement of sound, improves panning
and expands the sound field, even when used with 5.1-channel systems.
Logic 7 technology uses 96kHz processing and is available in 5.1-or 7.1-channel
modes. Three variants are available.
See below
Logic 7
Movie
Especially suited to two-channel sources containing Dolby Surround or matrix
encoding, Logic 7 Movie mode increases center-channel intelligibility. The AVR is
programmed at the factory to default to this mode for two-channel signals.
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Logic 7
Music
Logic 7 Music mode is well suited to conventional two-channel music recordings. s!NALOGTWOCHANNEL
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Logic 7
Game
Use Logic 7 Game mode to enhance enjoyment of video-game consoles. s!NALOGTWOCHANNEL
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5-Channel Stereo Useful for parties, the left- and right-channel information is played through both
the front and surround speakers on each side, while the center speaker plays a
summed mono mix.
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7-Channel Stereo Expands the 5-Channel Stereo presentation to include the surround back channels. s!NALOGTWOCHANNEL
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2-Channel Stereo Turns off all surround processing and plays a pure two-channel signal or a downmix
of a multichannel signal. The signal is digitized and bass management settings are
applied, making it appropriate when a subwoofer is used.
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Table A12 – Surround Modes – continued