Arcam AVR500 Home Theater System User Manual


 
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English
Sub Stereo – If Le/Right+Sub or Sat+Sub is selected in
Stereo Mode above, this setting adjusts the level of the
subwoofer when the source is two channel stereo.
Brightness – Sets the video brightness for this input.
is setting can be used to compensate for an overly
dark or bright source picture on this input when
compared with other video sources.
Contrast – Sets the video contrast for this input. is
setting can be used to compensate for too much or too
little contrast in the source picture on this input when
compared with other video sources.
Colour – Sets the video colour saturation for this input.
is setting can be used to compensate for too much or
too little colour in the source picture on this input when
compared with other video sources.
Picture Mode – Sets how the video processor in the
AVR500/AVR600/AV888 interprets the video on this
input. Normally the video processor automatically
detects the original source type and correctly sets either
Video mode or Film mode processing. In the unlikely
event that the video processor misinterprets the video
type, resulting in subtle picture artefacts, the video
processor can be manually forced into Video mode or
Film mode. is function should normally be set to
Auto.
Edge Enhancement – Sharpens the picture from a
source on this input.
Mosquito N.R. – Removes haziness that sometimes appears
around objects in a picture from a source on this input.
Noise Reduction – Removes random noise within the
picture from a source on this input.
Block N.R. – Removes block artefacts in overly
compressed digital video from a source on this input.
Component Mode – Congures the current three-wire
high quality analogue video input for component (YUV)
video signals or RGB video signals. It is important
to match the setting to the incoming video format
otherwise the colours will be incorrect and the picture
may be unstable.
Options are Normal, RGsB and RGB+Sync.
< Normal: (default) the three-wire input is congured
for normal Component (YUV / YPbPr) analogue
video.
< RGsB: the three-wire input is congured for RGB
analogue video with video ‘sync-on-green’.
< RGB+Sync: the three wire input is congured for
RGB analogue video, with the video sync signal on
the composite input for the current named source.
You should typically select RGB+Sync if you are using
a standard SCART to 4-wire phono breakout cable to
connect an RGB SCART source.
Note that if RGB+Sync is selected, the S-Video and
Composite inputs cannot be selected as video inputs for
the current source.
Audio Source – Selects the particular connection type
for each input. e default is HDMI; this setting must be
changed if another connection is used.
Select from the list the audio type you are using on this
source.
NOTE: you may experience some audio transients when
changing this setting. As a precaution, we recommend
that you reduce the volume level rst.
<
HDMI: the unit is forced to use the HDMI audio
input for this source.
<
Digital: the unit is forced to use the optical (TOSLINK)
or coaxial (S/PDIF) digital audio input for this source
<
Analogue: the unit is forced to use the analogue
audio input for this source.
Video Source – Selects the video signal connection for
this source. e default is HDMI; this setting must be
changed if another connection is used.
< HDMI: the unit is forced to use the
HDMI video
input for this source.
< Component: the unit is forced to use the
COMPONENT/RGB video input for this source.
< S-Video: the unit is forced to use the
SVIDEO input
for this source.
< Composite: the unit is forced to use the
COMPOSITE
video input for this source.
General Setup
General information and system controls.
Source Input – (Information only) e currently
selected input to which the settings below relate.
Incoming Format – (Information only) e format
of the digital audio stream connected to this input, if
present.
Incoming Sample Rate – (Information only) e
sample rate of the digital audio stream connected to this
input, if present.
Incoming Bit Rate – (Information only) e bit rate
of the digital audio stream connected to this input, if
present.
Dialnorm – (Information only) If a Dolby Digital audio
stream is connected to this input, this is the Dialogue
Normalisation setting requested by the stream.
Video Input – e currently selected video input. For
inputs that have video connections (e.g.
SAT, PVR etc),
audio and video inputs normally switch over together.
However, here you can temporarily select a dierent
video source for the current audio source. is feature
may be useful, for example, if you are watching a sports
game on satellite but on this occasion wish to listen to
the commentary on the radio instead. is temporary
override is reset when the input source is changed so
that the Video Input follows the Audio Input setting (or
the setting in the Video Inputs menu, if applicable).
Audio Compression – Allows selection of compression
which is ideal for late night listening. e compression
eect increases the volume of the quiet passages
and decreases the volume of the louder passages.
Compression only applies to some Dolby Digital and
DTS soundtracks that support this function.
< O: (default) no audio compression is applied.
< On: Audio compression is applied whenever a
soundtrack supporting compression is received.
< On / Auto: As for On above, except for Dolby
TrueHD soundtracks which support an additional
Auto on/o setting
is setting applies to all inputs when a relevant digital
audio stream is detected. It is stored in memory and
recalled each time the unit is powered up.
Balance – To alter the sound balance temporarily
between front le and right speakers. You can alter
the sound stage to either the le or the right by up to
6dB. Note that it is not possible to shi the audio signal
completely over to one channel. is function resets to
equal le/right balance when the input is changed.
PLII Dimension
PLII Centre Width
PLII Panorama
ese allow the adjustment of the sound eld for Dolby
Pro Logic II Music mode decoding of two-channel
sources. ese setting apply to all inputs when PLII or
PLIIx Music decoding is selected. e settings are stored
in memory and recalled each time PLII or PLIIx Music
mode is selected.
< Dimension: Allows the user gradually to adjust the
sound eld either towards the front or towards the
rear. Settings range from -3 to +3. We recommend
Dimension is set to 0 for normal use.
< Centre Width: Controls the centre image width.
With Pro Logic decoding, dominant centre signals
come only from the centre speaker. If no centre
speaker is present, the decoder splits the centre
signal equally to the le and right speakers to create
a ‘phantom’ centre image. e Centre Width control
allows variable adjustment of the centre image so
it may be heard only from the centre speaker; only
from the le/right speakers as a phantom image; or
from all three front speakers to varying degrees. We
recommend Centre Width is set to 3 for normal use.
< Panorama: Extends the front centre image to
include the surround speakers for an exciting ‘wrap-
around’ eect with side-wall imaging.
Digital Output Freq. – Sets the sampling frequency of
the audio Analogue-to-Digital converter. is setting
applies to all inputs when analogue audio is being
processed (i.e. not Stereo Direct mode). It is stored in
memory and recalled each time the unit is powered up.
Volume Adjustment – Sets the step size of the volume
control.
< Normal: (default) volume control is in 1dB steps
< Fine: volume control is in 0.5dB steps
Maximum Volume – Limits the maximum volume
setting the system can be turned up to in the main zone.
is is a useful feature to prevent accidental overdriving
of low power-handling speakers (for example). It is
stored in memory and recalled each time the unit is
powered up.
Max On Volume – Limits the maximum volume the
system operates in the main zone when it is switched
on or comes out of Standby. e system comes on at
this stored volume setting if the last used (possibly very
loud) volume exceeds this value. It is stored in memory
and recalled each time the unit is powered up.
Audio In iPod – If you have an iPod connected to the
AVR500/AVR600/AV888 using an Arcam rDock or
rLead, this control allows you to set which audio input
is used.